Small in size, each Glass of Absinthe can be held and rotated by hand, just as one might do when holding a glass in a café. As the first in the Glass of Absinthe series-the artist’s proof-the cast discussed here is indebted to both Picasso’s sources and inventiveness, and it is this particular Glass of Absinthe that he retained for himself. These primers included Málaga clay figurines known as barros malagueños and robed images, African and Oceanic statues, as well as Edgar Degas’s little dancer. ![]() ![]() Additionally, Picasso was influenced by other works of art that engaged with form in the round and those that used manufactured objects as material. Boccioni’s bottles, in a reversal of artistic influence, provided Picasso with a template for a more focused, three-dimensional treatment of a simple drinking vessel. In the summer of 1913, Picasso probably saw two plaster versions of Umberto Boccioni’s Development of a Bottle in Space as well as the artist’s Force-Forms of a Bottle (both 1912) on display in Paris. In dialogue with modern art’s quest for innovation, Picasso further developed the idea of one-of-a-kind multiples, in addition to refining the existing glass motif in an increasingly isolated and durable version-not only as part of his Cubist experimentation, but also for modern sculpture in general. In creating Glass of Absinthe, Picasso borrowed from a range of other sculptural practices, which speaks to the artist’s eclecticism. ![]() Significantly, Picasso, in collaboration with his Parisian art dealer, Daniel-Henry Kahnweiler, broke new ground by producing not duplicates but six unique and thus highly commercially marketable works of art. The Glass of Absinthe works, bearing the same title as the series as a whole, are remarkable as much for the ways in which they uphold modelling and metal reproduction traditions as for their radical departure from these conventions. In the spring of 1914, following a four-year hiatus, Picasso returned to creating multipliable Cubist sculptures in the round with a series of six identically shaped but individually decorated bronze works cast from a wax original.
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